SAVIA

The category sells fruit flavour and contains no fruit.

SAVIA prints the percentage of real fruit on the front of the pack. I took it from category analysis through to a finished campaign.

Scope
Strategy, identity, packaging, film
Year
2026
Type
Self-initiated
The opportunity

A $52.8B market moved three times and the category only followed twice.

Clear whey went mainstream, so a protein became something people carry around and photograph. Fruit flavours took roughly half of new launches. Clean label stopped being a premium tier and became the price of entry.

The industry pivoted to fruit flavouring, not to fruit, and it stopped there for a boring reason: freeze-dried fruit powder costs six to twenty times what a flavour system costs, it clumps, its colour shifts between harvests, and it ties you to agriculture.

For a commodity brand those are four cost problems. For a brand with a story they are four assets. Harvest variance becomes batch character. Seasonality becomes scarcity. The thing that makes it hard is the thing that keeps competitors out.

Finding the position

Four territories. Three were taken.

Girlie-pop wellness

Bloom and Alani Nu. Roughly 37,600 sponsored TikTok posts in twelve months across about 5,600 creators. The most proven lane and the most crowded.

Hypebeast gym bro

Ghost and Ryse, built on licensed candy and cereal flavour IP. Structurally the opposite of a real-fruit brand.

Clinical transparency

Momentous and Legion. Correct and charmless. Wins the spreadsheet, loses the feed.

Fruit-first performance

Empty. That is the position.

The audience I wrote for is the aesthetic athlete: 20 to 32, unisex, urban, global. They will check your protein per serving, and they will also refuse to buy something that looks bad on their kitchen counter. The category keeps assuming it has to pick one of those two.

The name

SAVIA is sap: nutrition in transit.

Spanish and Portuguese for the fluid that carries sugar, water and minerals from root to leaf. The name is the product metaphor rather than decoration, and it pays for itself immediately, because a whole product architecture falls out of it.

ROOTPre-workout. Where it starts.
FLOWHydration. The fluid in motion.
PULPProtein. The flesh.
CANOPYNight recovery. The shade.

The range tells you when to use each product without a usage chart, and it scales: a future greens product is LEAF, a future creatine is HEARTWOOD. Five letters, three syllables, no sounds that break in English, German, French, Portuguese or Arabic transliteration.

Identity

One silhouette that reads four ways.

The A is a lambda with a drop of sap in its counter: the letter, a leaf, a tree, and a drop. The standalone symbol is that same letterform, so the monogram and the wordmark are one object instead of two things that need reconciling.

SAVIA logotype construction
Drawn as outline paths on a 100-unit grid, not set in a licensed font.

The first draft ran a lighter stem, upright, and it read premium and calm, which is the wrong answer for a product that sits next to Syntha-6 on a shelf. The stem went heavier and the wordmark leans ten degrees forward, because a forward slant reads as motion.

The A and V end in flat cuts rather than mitred points. That started as a fix for an apex overshooting the cap line. The better reason arrived afterwards: a cut is a slice, and slicing fruit open is the brand's main content format, so the logo carries the gesture the content engine repeats.

Green carries the plant, orange carries the charge.

They sit near opposite on the wheel, which gives the loudest pairing available that is not a hazard sign. The specific green is a competitive decision: Bloom owns bright lime, so Jungle sits deep and shadowed and cannot be confused at thumbnail size.

SAVIA colour system
Every pair ran against WCAG 2.1 before entering the system. One result changed the palette: the brand's own accent fails as text on its own light ground at 2.44:1, so the system carries a second, deeper orange whose only job is to stop a production team making that mistake.
Packaging

The badge every competitor fills with a protein number.

The front panel follows the anatomy every serious supplement tub uses, because shoppers read that shelf fluently and fighting the convention costs more than it wins. What changes is what sits in the circular claim badge. Here it holds the percentage of real fruit, which is the one figure no competitor can print.

The five SAVIA SKUs
Five SKUs. The body stays the same deep green and the flavour lives entirely in the diagonal panel.

An earlier route put the flavour colour on the whole body. It was louder on a single pack and much weaker as a range: five loud tubs read as five brands.

SAVIA PULP Alphonso Mango, 22% real fruit
Social

Bloom's run gets read as going viral. It was not.

It was roughly 37,600 sponsored posts across about 5,600 creators in twelve months. Ten thousand competent videos in a proven format out-earn a handful of perfect ones, so the system is built as repeatable formats rather than one-off ideas.

The Cut

A real fruit sliced open next to the scoop. Same light, same setup, different fruit, forever. After four or five exposures the lighting alone identifies the brand, and a flavour-based competitor cannot copy it without lying.

The Percentage

The number is read aloud in the first two seconds.

The Harvest Drop

Releases by season and origin, turning a supply-chain problem into scarcity.

The Hero Drop

The paid format. Has to work at thumbnail size with the sound off.

SAVIA social content formats
Storefront

The claim is the filter, the sort, the badge and the hero.

On a premium Shopify theme, the components are organised around the percentage instead of around a product grid. Shoppers can browse the range by how much fruit is in it, which no competitor can offer, because all of their products would return zero. It is the rare case where a brand's distinctive asset and a genuinely useful piece of UX are the same object.

SAVIA storefront hero
About this project

SAVIA is self-initiated, built to show a full identity engagement end to end. The market data comes from published industry sources. The brand, its products and its origins are fictional.

Want a position worth defending?

This is how I work when a brand needs more than a logo. If that sounds like what you need, let's talk.